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The Orchard, 1886

  • etching, paper
  • 160 x 240 mm
  • Inv. 1982-Q

Public Domain

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Ensor usually based his graphics on his own drawings, or derived certain motifs from them. As far as is known, however, Ensor drew few landscapes. In view of the relatively large number of landscape etchings (about 20), it seems as if the artist went straight into nature with the etching plate. Ensor etched some faces in the woods of Ostend and made a series of polder landscapes with villages, single houses or windmills in the vicinity of Ostend (Mariakerke, Leffinge, Slijkens and Oudenburg). As an etcher after nature, Ensor was especially fascinated by the rendering of the light in the woods and on the polder plain. He etched with small, nervous traits that tremble with tension. His landscapes are characterised by controlled, sparse writing, which gives them an evocative power. According to the author Albert Croquez, who catalogued Ensor's etchings in 1935, the depiction is of an orchard in Oudenburg near Ostend. The Kunstmuseum in Düsseldorf has a drawing with the same scene.

Artist

James Ensor RKD VIAF Wikidata
Ostend 1860 - Ostend 1949
etchersAAT

Title The Orchard
Date 1886
Period 19th century
Medium and support etching AAT
Collection print room
Object type etching AAT
Inventory number 1982-Q
Acquisition credit purchase
Van der Perre, Paul (coll.)
1982
Current whereabouts Work currently not on display
Permalink https://mskgent.be/collection/work/data/1982-Q
IIIF Manifest https://imagehub.mskgent.be/iiif/3/3272/manifest.json
Art & Architecture Thesaurus 300015636 landscapes AAT
Keywords Iconclass 25G3 trees Iconclass
25G4(GRASS) plants and herbs (GRASS) Iconclass
25H1 landscapes in the temperate zone Iconclass
25H17 meadow, pasture Iconclass
300015636 landscapes AAT
47I411 orchard Iconclass
61E(OUDENBURG) names of cities and villages (OUDENBURG) Iconclass
School / Style realism (artistic form of expression) AAT
[s.l.] : [s.n.], [s.a.] (p. 26-27, 29, cat. nr. 2)
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